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Photoshop is primarily a tool for working with raster images, but it can also work with vector images, which can be imported from programs like CorelDRAW, Adobe Illustrator, and CorelDraw. Vector images use mathematical equations to create their form and are not raster images. Vector and raster are the most common image formats for digital images, though they aren’t the only options. Photoshop is a great tool for web and print work. It has many tools, like Clone Stamp, Cropping, and Fuzzy Select, that can be applied to different pages of a publication, keeping the layout clean and the text free of any gray images and links. Adobe Photoshop and Illustrator is now available on Mac OS X, Windows 7 and Vista, and other platforms. See the Adobe website for updates on compatibility. The latest version of Photoshop, Photoshop CS6, is available for Mac and Windows. See the Adobe website for updates and features on the new version. Photoshop is primarily a raster-based image editor. While it can import and export vector and EPS format documents, it’s not designed to do this. Photoshop natively supports the following image formats: Raw files, also known as uncompressed image files (but not JPG or JPEG files). Portable Document Format files, or PDF files. Tagged Image File Format files, or TIFF files. Organise files, or OASIS files. More formats are often compressed together and saved in one file. That’s the JPG and GIF file formats. Adobe Photoshop CS6 comes with many new features, including Live Exporting and Guided Mode. For more information on what’s new in CS6, visit the Photoshop website. Photoshop is a raster (pixel-based) editor, meaning that it processes images pixel by pixel. It can work with a variety of pixel-based formats, including JPEG, TIFF, GIF, and PNG. There are also vector-based (non-pixel) formats that are also supported. Photoshop comes in a standard package (CS5 or earlier) or as a standalone program (CS6 or later). But Adobe offers a feature called Adobe Photoshop Lightroom (see below), which is a standalone or bundled option (find out more about Photoshop Lightroom from our Lightroom review page). The standard package includes Photoshop and the software’s various features,
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This tutorial will teach you how to create a simple grunge brush for Photoshop, but feel free to experiment with the instructions and learn how to create brushes from scratch. Instructions: 1. Open a new, blank document in Photoshop. 2. Duplicate the layer you’re working on and name it “Grunge.” 3. Click on the Brush Tool to select a hard brush. 4. Click on a hard grunge brush to select it. 5. Click the Brush menu on top of the screen and choose Create Custom Brush. 6. Type “Simple” in the Name field. 7. Scroll down and put “0” in the Size field. 8. Scroll down and choose Hardness in the Size field. 9. Choose the first highlight color (In this case, #8E4850). 10. Choose the second highlight color (In this case, #B5B5B5). 11. Choose the third highlight color (In this case, #F7F7F7). 12. Choose the fourth highlight color (In this case, #C7C7C7). 13. Click OK. 14. Click on the layer “Simple” and choose Brush>Set Brush Preset. 15. Click the brush icon in the bottom right-hand corner of the Brush palette. 16. Click on the brush you just created. 17. Click on the layer “Simple” and choose Layer>Duplicate Layer. 18. Right-click on the new layer and choose Layer>Rename Layer. 19. Name the layer “Simple Grunge.” 20. Click the foreground color (black) and choose Hue/Saturation. 21. Make sure Hue is not turned on. 22. Change the black color to #8E4850 and the gray color to #B5B5B5. 23. Scroll down and uncheck the “Sat” box. 24. Click OK. 25. Click on the layer “Simple Grunge” and choose Filter>Blur>Gaussian Blur. 26. Click OK. 25. Click the foreground color (black) and choose Hue/Saturation. 27. Make sure Hue is not turned on. 28. Change the black color to #8E4850 and the gray color to #B5B5B5. 29. Scroll down and uncheck the “Sat” box a681f4349e
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Pages Wednesday, March 9, 2013 March Cleanse Interview: Lukka Rudzicz Artist and Educator A reader of The Inspiration Room shared Lukka Rudzicz’s work with us and we were so taken with it we had to invite her to be one of the interviewees for our inaugural March Cleanse. She was kind enough to give us her permission to share this personal story with you today. Lukka Rudzicz About the Artist: “Lukka Rudzicz” was born in September 27, 1987, in a small town near Warsaw. At the age of 5, she had her first ballet lesson. She started to teach herself as a young girl. As she was fond of painting, drawing, and literature, she started to attend art lessons at the age of 12. Two years later, she attended the art school in Warsaw. There she studied for a year at the A.B.U. School of Art. At the age of 16, Lukka abandoned her studies and started working as a model in Warsaw and surrounding towns. She worked in the modeling studios of Da’V, and Model Shops. Being fascinated by advertising, Lukka was trying to get into it at the age of 18. So she took a job as a model in a clothing store of a popular advertising agency. That was the first major advertising work of Lukka’s. She worked for a year on production of commercials for the international brand market. After her first work on advertising, Lukka experienced an inspiration and decided to devote herself to painting. Now she is striving to get the best from her creative inspiration and push the limit of the possible with her paintings. She is not afraid to stretch the boundaries of the style and colors she likes. She really loves to experiment with colors, use of patterns, and experimenting with different materials. She finds inspirations in the art of Great Masters of the XXth Century. Her inspiration for her work includes acrylic painting, pen and pencil drawing, and watercolor techniques. She loves to play with paint and does not restrict her work to just paintings. She creates also artworks on glass, ceramic, paper, canvas, and wood. Today, Lukka is working on her art in Montclair, New
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Evaluation of an enhanced dynamic wedge profile for intensity modulated radiotherapy and a tangential 5 mm gap for the optimized intensity modulation of a PTV to brainstem. The aim of this study is to evaluate the dose distribution around a BHRA’s dynamic wedge profile, which creates an intensity modulation for intensity modulated radiation therapy (IMRT), in order to treat an extended target volume such as a combination of brainstem and PTV. An eDW profile was designed and applied to the enhanced dynamic wedge (eDW) MLC for treatment planning of a patient treated for pineal region tumor (1.5 cm in diameter) at risk of invasion to brainstem. Compared to the eDW curve, the new eDW profile showed similar or better dose distribution for the target volume, especially in the region of the brainstem. In addition, this profile decreased the dose delivered in the volume near the PTV, which may lead to a lower radiation toxicity risk and superior tumor control. The above findings suggest that this new eDW design is useful for IMRT of complex target volumes including brainstem.Molecular cloning and expression of the crotonase/vinylreductase gene from Pseudomonas sp. Y-4006. Pseudomonas sp. strain Y-4006 can grow using crotonyl-CoA, crotonaldehyde, and acetyl-CoA as its sole sources of carbon and energy. The crotonase/vinylreductase gene (cvdA) which encodes an enzyme responsible for crotonyl-CoA reduction to crotonaldehyde was cloned into a protein expression vector. The restriction map of the recombinant plasmid was constructed. The purified enzyme was used to determine optimal substrate and pH conditions for crotonyl-CoA reduction. The purified enzyme was used to identify the crotonyl-CoA-reducing activity of the crude extract of Pseudomonas sp. Y-4006. A sequence of cvdA was deduced from the nucleotide sequence of cvdA. The deduced amino acid sequence included the substrate and coenzyme binding regions of the crotonase/vinylreductase activity.Q: Difference between conditional ternary operator and subroutine in Perl I am writing a Perl script. For example: sub test() { print “I am in subroutine ” if $_[0]
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